I started doing the Six Second Screenwriting Lesson Vines on a whim. There was no preplanning or strategy. I just had something to say, so I said it, directly, without any sort of thought to what kind of impact it might have, to who might see it, to what they might say about it. If I had thought about any of that, I might’ve made sure to blink or choose a more flattering light or wear a cool hat or something.
On reflection, I know that what prompted it were a series of questions I had been getting on twitter whenever I did a q and a. These questions seemed to carry certain assumptions with them, assumptions that came from various screenwriting books, seminars, websites that these (mostly) young aspiring screenwriters were taking as bedrock foundational facts. As a lifelong student of con artists, scammers and false prophets, it rankled me that there was so much misinformation being slung out there for profit. Usually propagated by so called experts who had never written any actual movies. Or tv shows. Or anything.
And it rankled the shit out of me.
So I opened Vine, pointed the iPhone at myself and said what I was feeling, which was: “All screenwriting books are bullshit. Read screenplays. Watch movies. Let them be your guide.” And then, before thinking about what I was doing, I saved it and tweeted it.
The reaction was pretty immediate. A few of my friends made fun of me. Which I expected. But a whole bunch of other people thanked me. Actors, writers, producers, journalists. By then, a few hours later, I had recorded and posted a few more, also mostly as a response to the received ‘wisdom’ that was out there in the screenwriting guru movement. And once again, I saw that there were writers, artists of all stripes really, who were waiting, not for me, but for someone to speak honestly, personally, about what they believed was actually important in the creative process. And what was bullshit.
So I kept going. I made two rules for myself. 1) I would only say what I absolutely believed. What was absolutely true in my own experience and 2) I would do one a day for as long as it seemed that that I still had something to say and that there were people who still wanted to hear it.
I’m up to number 86 now. And I have say, it’s been at least as beneficial for me as it has for anyone else. I have realized that the person I am mostly talking to is me, reminding myself, encouraging myself to press on each day, to commit each day to being honest on the page, to writing without fear, to writing despite the distractions, to writing when I don’t feel like it, to writing even when I’m certain that it’s all been a lucky accident that’s bound to end any second.
As I’ve said before, I was a blocked writer until my 30th year. My goal ever since then has been to keep the dark voices, the inner critical voices, at bay for long enough each day to get something down on the page.
One of the ways I do it is by talking to you. And myself. Six seconds at a time. Thanks for listening and responding and letting me know that it helps.
Have a great Thanksgiving. If you give yourself a day off from writing, do it without guilt. And if you decide to write despite the urging of family and friends, do that without guilt.
And get up tomorrow and do it again.
That’s what I’m going to do.
At least I hope so.